Sorry about the dearth of activity, but internet connection at my house here is spotty. The first week of my show is going well. The DP, Andrew Dunn is great, as well as the Camera Operator, Will Arnot and the AC, Matt Alper. Storms have kept us on stage when we were supposed to be out and that has resulted in the dreaded night on stage phenomenon.
I did an interesting shot today which I'd like to post about. It involves "roundy-round." Most of the time, you think of roundy as a way to do, well, circular shots, such as around a table. Roundy can also get you out of some tricky situations where space is limited. Our shot today involved a boom up as an actor approached, coupled with a 180 degree pan with im and a pul back into an "over" to an actress in another room. The space we were in was very limited, so after thinking about it, we decided the best way was to use the roundy to pan the actor around into the over. This is one of my favorite shots to do because it's a challenge and the shot is really in the hands of the Dolly Grip. So next time you're in a tight situation, consider using your roundy to get out of it. I'll post again when I can.
Can you scrawl a diagram of this, take a cell phone shot and post it? Can't visualize it but want to understand. Thx.
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