I don't want to talk about it.
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The definitive site on camera movement.
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What We Do Here.....
The art of Dolly Gripping is like no other job in the world. It falls to us to work out the mechanics of a particular shot, as well as offer a smooth, aesthetically pleasing move which makes the shot work and delivers emotion to the scene. It's the ultimate blend of engineering and art. This website is a place for professionals in motion picture camera platform movement to meet and swap tips, stories, and gripe a little about the difficulties we often face, but rarely get to talk about among ourselves. It's also a place for aspiring Dolly Grips to learn a little something from the old pros. So, welcome. Look around and join our little community. The site is run by myself, D, and Azurgrip, two guys who have each spent the last 20 years moving cameras around film sets. But it also benefits from the readership and participation of hundreds of Dolly and Key Grips from around the world, men and women who have helped deliver some of the most memorable and beautiful moving shots on film. So if you have any questions, please ask. You can ask questions or make comments on our message forum, which is below, just above the photos, or email us at dollygrippery at gmail dot com. We, or one of the experienced grips who frequent this site will answer.
If you're looking for something in particular, please check out the "Links" section. Everything from equipment in India, to glamour shots of grips can be found there.
What you won't find here: How to make a dolly out of plywood, info on the Wa11y Dolly, anything about how to move a boat.
If you're looking for something in particular, please check out the "Links" section. Everything from equipment in India, to glamour shots of grips can be found there.
What you won't find here: How to make a dolly out of plywood, info on the Wa11y Dolly, anything about how to move a boat.
Followers
Links
- Film Toolkit
- William Demeritt's Blog -A lot of good stuff from a Camera Operator
- The Black and Blue
- Sarkell Society- for Colortran Owners
- Hurlbut Visuals
- Chapman- This is my machine of choice.
- Gripworks- Anything you need in India, or beyond
- The Gentlemen Grips- I've been with these guys for over 15 years
- Burnette Creative
- Blood, Sweat, and Tedium
- The Hills Are Burning
- Filmcast Live
- Crew and Review
- Lenses and Lights
- Chris Brow's Website
- Chapman
- GI Track- Great track system. Check it out!
- Grip411
- JL Fisher
- polybloggimous
- Danworx
- The Anonymous Production Assistant
- Supersliders
- Oliver Stapleton BSC
- Cranium
- Griplife
- Script Goddess
- Electric and Grip
- Solid Grip Systems
- Cinemoves
- Porta Jib- Get your Porta-Glides here. I recommend 'em!
- Local 80- Chris Hager Photographs. The members of Local 80 Grips like you've never seen them before. A really cool site!
- Hurry Up and Wait
- Burbanked
- totally unauthorized
- JL Fisher
- Seriocity
- Cinegrip
- Doggiecam- Problem solvers!
- Technocranes
- Skate Dolly
- hollywood Carts and Racks
- Backstage Web
- Willy's Widgets
- Cardellini
- Google News
- Edit-Me
Dolly History- page 106
Blog Archive
Complain/ compliment me at:
dollygrippery at gmail dot com
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 United States License.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 United States License.
4 comments:
Does this mean that you're a wheels half on / wheels half off kinda guy?
It means he's livin' on the edge -- just like the rest of us...
just another Fraturday in TV land...
Hey nice shot. Reminded me of this shot from some second unit work I did on Hunt for Red October for Boss films. At the time it was the longest elevated dolly shot attempted at 275 feet. It was the plate shot for when Ramius and Ryan are in the conning tower at the end of the movie.
Elevated Dolly
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